The Painter's Keys Community For Artists

Search the Painter's Keys:

The Painter's Keys Content Archives
Our archive is a rich art resources of creative content and art advice. The archive contains every one of the Robert Genn Twice Weekly Letters and clickbacks since the year 2000. Our system is to carefully edit a large daily volume of incoming feedback from the letters--and to reduce it to a terse and economical amount of reading. Duplication only occurs by nuance, veracity is checked, point of view is encouraged, and a balanced, timeless collection is the result. By so doing we have formed a world-wide creative art community--a brotherhood and sisterhood where all flags fly.

Comment instantly: Visit any clickback and contribute your opinion with an instant Live Comment. Simply click the icon next to the clickback of your choice.



2009 Robert Genn Twice-Weekly Letters

  • Managerial Mode
      July 3rd, 2009
  • Your inherent laziness can be a key to the managerial mode. Management and self-management’s business is strategy, and when you don’t have strategy, you may be a rudderless ship. Read On

  • Where's the juice?
      June 30th, 2009
  • What happens when an artist starts to lose a sense of direction? How do we get the juices to come back? What sort of questions do we have to ask ourselves? Read On

  • Transartistic meditation
      June 26th, 2009
  • Consider combining creative work with time-honoured techniques of transcendental meditation. With a new spin, a special kind of "flow" happens as you drift into "the zone." Read On

  • Patterns
      June 23rd, 2009
  • In the transition from reality to the practicalities of pictorial composition, there's the need for an effective value pattern. Pattern is the skeleton that holds work together and entrances the viewer. Read On

  • Serious artist
      June 19th, 2009
  • The term “serious artist” draws divisions between different art forms and disciplines. What if it’s all about play, and our creative muse is one great playground? Read On

  • Just a reminder
      June 16th, 2009
  • Even in out-of-the-way places artists can be in touch with a worldwide support group. Mere reminders may be all we need to improve and thrive. Read On

  • The art lotto
      June 12th, 2009
  • There's one brilliant way to increase our chances of pulling winners out of the hat. In the art game, it's how we stack our deck. Read On

  • A treasured mapbook
      June 9th, 2009
  • Photocopies of maps and charts, arranged chronologically, can be a valuable tool for the travelling artist. Properly marked, they contain information inviting further ideas and exploration. Read On

  • Bartering for fun and profit
      June 5th, 2009
  • Bartering is a fun way to get your art out and around and to profit when you might not otherwise do so. There are a few pitfalls but the tactic seems to be on the rise again. Read On

  • Winners and losers
      June 2nd, 2009
  • What is it that makes some of us winners and others losers? What is winning anyway? Robert names some of the attitudes and actions that make the good stuff happen. Read On

  • Stereotype threat
      May 29th, 2009
  • The stereotype that artists are condemned to a life of poverty is widespread, causing not a few artists to have that exact expectation. There's a way to beat it. Read On

  • How to control kissing
      May 26th, 2009
  • 'Kissing' is a compositional weakness that can also be used as a ploy. Painters need to understand why and when they kiss, and to what purpose. Read On

  • Off the beaten track
      May 19th, 2009
  • Living in small towns or remote places has its own challenges. How to let folks in the greater world know what you're up to is one of them. Read On

  • The wise juror
      May 15th, 2009
  • A letter from a juror to a rejected artist sets off an understanding of the true purpose of art and offers powerful reasons to keep on going. Read On

  • The flat trumpet of self-esteem
      May 8th, 2009
  • Instead of measuring work against examples of excellence, we now honour mediocrity as well. The self-esteem industry has put the cart before the horse, and we are the lesser for it. Read On

  • Sterility
      May 5th, 2009
  • Artists often find themselves in a state where nothing turns them on, nothing seems worthwhile. The tank is on empty. Here are some of Robert's ploys for refilling the tank. Read On

  • Hyper-perfectionism
      May 1st, 2009
  • Work can sit on the easel for months, even years. The afflicted artist may be dedicated, hard-working and obsessive. In mild cases he takes a very long time to get to signing, let alone to making a delivery. Read On

  • Resurrection
      April 28th, 2009
  • Taking a successful work and resurrecting it as another has both traditional conventions and creative pitfalls. Here are a few thoughts when you want to make it happen. Read On

  • Keep moving
      April 21st, 2009
  • New research indicates that active movement may be an aid to learning, concentration and physical production, including the making of art. Read On

  • A dissatisfied artist
      April 17th, 2009
  • The current bad times are causing dissatisfaction and anger among artists. Some are pessimistic, but there are other ways of looking at the situation. Read On

  • Post-Show Blues
      April 14th, 2009
  • Artists often have trouble re-firing their furnaces in the period right after shows and exhibitions. There are ways of understanding the condition, and there are ways of overcoming the commonplace problem. Read On

  • The elements of abstraction
      April 10th, 2009
  • Abstraction is a poorly understood term for a wide range of art. But it holds within it a great opportunity for serious play and the exploration of the subconscious mind. Find out how. Read On

  • The art of innovation
      April 7th, 2009
  • Innovation is the life blood of artists. In these troubled times the persistently curious and the inventive will thrive. Find out how to put innovation to work for you. Read On

  • The art income shock
      April 3rd, 2009
  • A recent Canadian study paints a depressing picture of artists' incomes. The respondent-driven sampling gives a skewed idea of what artists can and do make. Read On

  • Eccentricity
      March 31st, 2009
  • Artists are often accused of eccentricity. Robert looks at the uses and abuses of the condition, and proceeds to honour eccentricity as a valuable feature of individualism. Read On

  • Selective focus
      March 27th, 2009
  • Artists have a great many illusions available to them to control the eye movements and interest of passing viewers. Selective focus, early discovered but now often neglected, is well worth understanding. Read On

  • Choices
      March 24th, 2009
  • The making of art is a series of choices, some minor, some major. The choices we make determine our signature, our style and our level of personal satisfaction. Read On

  • In search of John Collier
      March 17th, 2009
  • John Collier was a significant painter at the height of the British Empire. Attitude, application and belief in the importance of it all contributed to his masterful work. Read On

  • Habits for success
      March 13th, 2009
  • John Di Lemme has written elegantly on the nature and uses of habit. Both negative and positive--you can engage any kind of habit your heart desires--but make no mistake, habits are the keys to your destiny. Read On

  • Artists for something
      March 10th, 2009
  • While some artists are asking for charity, others are following their sincere passions. Robert explains why the latter is the most effective route to joy and solvency. Read On

  • Feeling blue
      March 6th, 2009
  • Recent research throws some more light on the psychological value of blue. Apparently it's not just ethereal and mind expanding, it can make you more creative. Read On

  • Lessons learned
      March 3rd, 2009
  • It's a remarkable experience to receive a crit from a huge cross-section of willing participants. Is it valuable, or is it a pointless exercise? Read On

  • Asking your opinion
      February 27th, 2009
  • Robert experiments with the idea of getting a lot of opinions on an unfinished work. Is the opinion of others worthwhile? Who do we turn to? Read On

  • Conspicuous consumption
      February 24th, 2009
  • Economist Thorstein Veblen's concept of "conspicuous consumption" has wide ranging implications for today's artists. Here are the dynamics of what's happening right now. Read On

  • The art instinct
      February 20th, 2009
  • Denis Dutton's remarkable new book "The Art Instinct" links Darwin's theory of evolution with the origins, production and appreciation of art. Prepare yourself for some surprises. Read On

  • Irwin Greenberg
      February 17th, 2009
  • Irwin Greenberg, 87, has taught thousands of artists not just technique, but the very attitudes and habits one needs to develop if one would be successful. Read On

  • Advisory panel
      February 13th, 2009
  • Sitting on an art-advisory panel, giving artists encouragement and suggestions of "what to do next" clarifies some valuable mentoring truths. Read On

  • Painting 'Uncle Ho'
      February 10th, 2009
  • A connection with a famous Vietnamese portrait painter brings out some of the universal problems and solutions in that difficult art. Read On

  • Where does it come from?
      February 6th, 2009
  • Where does it come from? In a place like Vietnam, where the people have experienced great injustice, their art shows little anger and bitterness, but instead reveals their gentle humanism. Read On

  • Talent
      February 3rd, 2009
  • Talent is often thought of as those sorts of gifts we are born with--blessings like beauty and brains--or as abilities to be developed, such as drawing, painting or musicianship. One thing's for sure: having talent doesn't mean you're fated to make it work for you. Read On

  • The price of popularity
      January 30th, 2009
  • Andrew Wyeth got mighty good at his craft and painted not a few American icons. Yet the critics never missed a chance to dump on him. The richer he got, the more they dumped. Maybe some critics have 'painting envy.' Read On

  • Economics 101
      January 27th, 2009
  • What will happen to us creative spirits during the economic downturn? While I'm no economist, there's evidence of a hard truth... and 3 available strategies to consider. Read On

  • Compositional keys
      January 23rd, 2009
  • Composition is often the 'make-or-break' of a successful painting. Eleven valuable but breakable keys to successful compositions give pause and understanding to the art. Read On

  • Whistler's dilemma
      January 20th, 2009
  • A subscriber with a famous name asks what to do about the association and how he might sign his own name. As usual, individualism triumphs. Read On

  • Four excellent questions
      January 16th, 2009
  • The business of scheduling, self-management, controlling work-volume, goal setting and taking time for creative exploration are major concerns of professionals. Surprising variations arise in a life of application. Read On

  • The frequent-pause system
      January 13th, 2009
  • Working in less-than-perfect conditions reveals some methodologies that give a new spin to creativity, and may actually improve it. Good things come from inconvenience. Read On

  • The problem with stealing
      January 9th, 2009
  • Protecting images by watermarking, small-filing, or claiming copyright may not be enough on today's Internet. But there are other things you can do and other ways of looking at the machines. Read On

  • Laziness
      January 6th, 2009
  • Simple laziness is one of the basic, oft overlooked impediments to the creative life. Here are a few antidotes and a sure-fire method of beating the malaise when it breaks out in your studio. Read On

  • How to find passion
      January 2nd, 2009
  • Passion is a commodity that some seek and never find. Others manifest it in spades and it guides their lives. This letter is a key to finding it from some who have found it. Read On

Subscribe Free by email

Robert's world-wide gift that artists love to get.

Absolutely free, no strings. Cancel at any time. You'll get the valuable twice-weekly letter only. Your email address will not be lent, sold or put on any spam or other nasty list. CLICK HERE TO SUBSCRIBE FREEGuaranteed.

icons by:
FamFamFam.com

Last modified: Jul 03, 2009