This is an interesting subject matter for me......most of my childhood, despite having a large family, was spent in ‘alone time’. My father had a children’s encyclopedia and I would spend hours and hours looking through the “things to make and things to do” sections of the books.

I go with a group of artists plein air painting to Block Island once a year, and we spend a lot of time alone.....long walks along the beaches, exploring the beautiful scenery, wild life, etc. Even when we paint each afternoon, we all go off into our own special area we select.... I also do some plein air painting with the watercolor society in our state and it’s the same.....we just paint and hardly socialize at all.

It’s not that I don’t want to socialize, it’s just all about the painting......

I think most artists would agree with the quote from Henry Miller:

"An artist is always alone--if he is an artist. No, what the artist needs is loneliness."

For the better part of the past 20 years I've attended our local community college. The college offers watercolor classes in the evening and for the majority of us "students" it is just a nice workshop. Its nice to socialize a bit and see what others are working on. The major draw-back is it can get a little too much socializing until the instructor steps in and takes control. Humans are social animals. We have companions, spouses, friends, significant others, etc. Without interaction with people life would be pretty dull. My alone time is usually in the morning. From about 5:30 to 8:30 in the morning is my time. Three hours is just about all the time I need for my art work when I am along.

When I am lonely I go to Barnes and Noble. The interaction with people, and the people watching, are enough for me. I will however admit to being part of a sunday morning plein air group composed of 6/7 of us. An ecclectic group of interesting personalities and abilities. We share art news, books and opinions about such, as well as darn good coffee. This weekly inter-action has somehow become important to me and I find it curious.

I spent an entire working career in service to God, Christ, and his church. No apology. No regret. All of that was very public. For half of that time we lived in parsonages owned by the church. One was located beside the church. It was the proverbial goldfish bowl. I did all of the public duties and did them effectively. I was a diligent and creative pastor, crafting words that developed a reputation for predictably good ministry. That required concentration and private time. I received some criticism for the amount of time that required yet I relished such time.

Now as I try to paint, I love being alone. I need to be alone. This is the true me. I train myself to tolerate intrusions. I have struggled to be like most people I know who live to be with people. I have been self critical. Now I understand that innately, my creative DNA has shaped me for loneliness and that’s OK.

Orson Wells and Henry Miller hit the nail on the head. I would like to add for those who need the company of others to work. Take an uninstructed workshop once ot twice a week or start one yourself but keep it to a minimum and remember great work won't result from this only the need to share. For me when I work on a personally inspired piece, I need to be alone, to think, experiment, work out the details and have room to try and fail. A group situation forces you to "perform" to a degree. You are less willing to risk in front of other artists. I done seen this and done it myself. If you need others, create a social network outside the studio. Invite trusted like minded artists to view your work, but you must paint alone to discover your true self.

I can't concentrate with people around. I feel the need to interact and talk with them, my back to my work, brush laid aside. It's an either/or choice. I can't combine the two and have difficulty turning the light switch on and off quickly.
Mary Catherine, if you desire companionship, haul your French easel or Pochade down to the local coffee shop and try painting at their patio entrance (customers linger to watch and the shop loves it. Ask permission, of course). After a day or two, I guarantee you will have so much companionship you will pack up and seek a quiet place.
Being "alone" working is simply being without distractions. My husband will poke his head through the door briefly asking if I want coffee or water, or am I ready to break for lunch. If he comes in to see my progress he does so silently. We'll talk later. I appreciate the respect.
My cat is my only companionship in the studio. She sometimes will preceed me anticipating when I'm ready to work. It is comforting to see her curled up on the chest with her paws tucked under, purring, waiting on me. We're alone together.
When we held public jobs, we didn't bring our family or friends to work with us every day. After all, the workplace isn't a social venue and neither is a studio, unless you're hosting a party.
In general, I think people would benefit from a little solitude. We are inundated in this world with noise, information, and distractions. It is a good thing to be alone with oneself on occasion.
Art is a wonderfully lonely pursuit and I recognize I need that.

I find myself inviting collaborators into my studio when I get cabin fever, but then work doesn't get accomplished. You would think that by having like-minded people working in parallel, perhaps even more brilliant ideas would come to you by the inspiration of a talent bank. But, I quickly become impatient with the others, I ask them to stop talking and to please save their opinions until the work is complete, so that the creative process is free to happen without getting self aware. I realize I prefer the company of my dog, who I can talk to and he is there to listen. It is easier to hear my own thoughts when I am telling them to someone else, out loud. If my dog is busy then, I talk to myself by name, as if I were a professor or master. When you can inspire yourself for hours, there is no one who can do the work for you better than you. And when you get to know your inner artist, you will find it to be very entertaining! When you get lonely, say to yourself, "this is an imagined feeling. It is not a real feeling, there is too much going on in me to feel lonely." If that doesn't work , take a walk around the block and get back to it.

Actually it is a learned experience to be comfortable with yourself and "aloneness", to coin a new phrase. I actually am a person that has always been comfortable by myself just because of a negative upbringing, I have always had to depend on myself, so for me group settings were things I had to learn to deal with. We all have our ship we have to steer through life. If you aren't comfortable being alone, develop a connection with a painting friend. There is also the I POD loaded with your favorite music or poetry to keep you company. I have found myself many times bopping along to my music only to turn around and find I have an audience. Most disconcerting at times cause though I can carry a tune, I don't like to be exposed like that personally. If you have a local art association, there may be like minded individuals that will join you for a day. It can mean the start of lasting friendships. What it comes down to mostly in my point of view are you comfortable in your own skin for the times you are alone? Suggestions like painting in a public place is good, but in those times I would rather have a companion, then being the only one on display. The option about looking for someone can mean you are stuck with someone you may not get along with or are uncomfortable with. So be sure to take your time. Using a large group to work with like a workshop gives you more security and safety in numbers. In time you may find one in the group you connect with and can work with one on one.

Alone at the easel eh? well, if that does not suit you: working at a fast food location, should confirm pretty quickly which environment and vocation is best for you. I think that this useful , and informative newsletter is hosting too wide a criteria: but then what do I know as I read with dismay about someone with too much time on their hands.

Loneliness, what a great topic. Being an artist who lives alone, I get more than my fair share of alone time. While being alone is better for serious work, one still needs some balance in life, and that means some time with other people. That is where the art club and the painting group are invaluable. I need those connections, I need to spend time with others; I spend enough time alone as it is, without those friendships and connections, I would surely become quite depressed and hopeless.

As usual, it all comes down to BALANCE. One needs both solitude and companionship to feel happy and fulfilled.

....the mystery is over heh heh ....as to why so many of us have wonderful pets
CHEERS, Gail Harper

Well said! One paints best when alone---that doesn't mean I am lonely--how can I be-- when my mind is on painting & creating etc. Still go to group painting once a week- but find can't concentrate-- as well- so never take the same painting -there- as I paint on at home. Always have several on the go anyhow- depending on what mood I am in -that day!! besides I wish this -stigma- of being alone-- would go away-- nothing wrong with it--those with a -guilt trip- on this-- should examine there own life style. Happy Painting!!!

I loved this article. I love my solitude when I work but occasionally I choose to paint with a friend or take a workshop. I also get my "companionship" via my online friends and various arts groups. I'm not sure if I could work in a group or open studio all the time. I like choosing my times for "company".

Genn; You are as good a philosopher and psychologist as you are an artist. I'll bet the subject of "loneliness and the artist" gets a lot of feedback. As a family physician I listen to people's problems all day. After a while I feel a sort of existential loneliness in spite of a strong religious faith. I find that I paint well during those times especially at my cottage surrounded by the closeness of the natural world and God's creation. But after a while I need to be with people again and to meet others needs. Solitude can be quite tolerable' loneliness is often depressing. Sometimes I'm not sure which is which. You could probably write a thesis on this subject. F.J.Ross

Being alone and being lonely are 2 very different things. It is quite easy to be lonely in a room full of people. Obviously- everybody's different. But a not/alone state that is required emotionally because an individual is co-dependant and can't emotionally handle being alone is a self-destructive path. And it screws up everybody- not just the lonely person.

I was forced into an alone state in childhood in order to protect my creative self from the social and cultural peer group abuse I experienced growing up. And early on I was taught that for a very peculiar reason- that being that I am a male carrying a heavy connection to the Feminine- (a STILL despicable thing in our current social sphere) I was more likely to be NOT liked- than liked. So early on I got ok with the idea of only having a very few friends. Some people actually do like me.

But even isolating myself did not stop the overall psychic damage. That damage required an enormous amount of psychological work to get beyond- work which in truth was a waste of time that never should have even been necessary. The problem isn't with/in me. It is in our judgmental patriarchal male-god-dominated- often religious based- misogynistic/homophobic culture.

In the end I found that my early hermitage was really a normal state for me- having experienced many past lifetimes as a artist/mystic/monk/priest. Please understand- I don't care if you believe me.

If you are motivated as an artist to produce singularly unique to you work- learning how to be your most happy- passionate- motivated self while totally alone with/in your own personal and direct connection to the Creative Spirit of the Universe is required. Along the way you become a Master. It is a spiritual path- much of which simply can not be shared.

Artists- whose focus is always out there- on whatever current distraction- but especially on personal validation gained through social interaction- rarely stop long enough to find the connection to their own INNER SILENCE. But art is a direct pathway to this connection.

You can not succeed as an artist without a certain amount of social interaction- even if like me- you're somewhat misanthropic. But if you want to create unique work- you have to go it alone. The more you share- the more your work will look like everybody else's.

I'm sure Robert could write a thesis on this subject. I'm going to- but it will have a different twist to it...

Althought there is much merit in alone time creating we must never underestimate the power of creative sympathetic resonance which is my Rule #6 Creativity Loves the company of Creativity. Just think about the time when you are working in a workshop or with a painting group how easily the creative ideas and paint starts to flow. To read more about this go to my blog.

I think Mary Catherine may be suffering a different kind of loneliness because I can't fathom feeling alone when painting. When I paint I get too wrapped up in what I'm doing, the idea of an interruption of an outside voice breaking my thought process would be terrible. Mary Catherine may be referring to when the painting stops. I could be wrong here unless I'm reading her reply incorrectly. As a general rule, I don't ever feel lonely but I enjoy being alone. I enjoy my own company. My past life has been filled with endeavor that involved many others to accomplish things, so painting and drawing is a welcome relief from constant chatter and verbal nonsense. Being silent and sitting in silence is a learned experience especially in this age of multimedia bombarding us from every direction. Bruce Wilcox is correct when is says you can feel alone in a crowd. When I paint I connect completely with what I’m doing. So many pass the day making meaningless sporadic contact on a superficial level. Art forces me to experience my strengths and weaknesses and face them daily. Art is a free theory, a consultation with you, a facing of the truth that has to be done when alone.
We are afraid to be alone, for when we are alone we are forced to deal with our thoughts. We have only ourselves on which to rely. This is threatening to many who don’t take the time to discover who they are. Many live lives without introspection and go to the grave in darkness.
So Mary Catherine paint by yourself then celebrate with your friends in companionship.

I believe this is one of the reasons we all signed up to the Robert Genn Twice-Weekly Letter, to have an online community of like minded artists all working quietly on their own at their paintings. My neighbour who comes from Canada said with glee that I had at last found my artist’s community! The world is a busy place everyone rushing here and there, while the artist has time to reflect and to be quietly creative. The important thing is to be aware of all the great things about painting on your own, to be able to have the quiet to concentrate on your artwork and to look at the birds flying by, the clouds drifting along changing shape and the beauty of each season. It is not always easy to be on your own for hours and days on end but I find working to a time table helps and in that I include time spent with friends. The internet has given us the opportunity to join hobby forums and make new friends; in truth we are not as alone as our artistic ancestors would have been in their studios. Keep a pet they are wonderful company!

What a wonderful forum. I have found a good balance with Art Therapy. Working part time in an Altzheimer Day Center and helping with Art projects that are very simple to me but very complicated to someone who has the disease. It humbles me and gives me that human connection that I miss when I spend too much time alone in my studio.

Your recent letter about artists feeling lonely stimulated me to write my most recent blog about just that subject. You can read it by going to http://gingerwhellock.com/blog. Note that I linked to your letter and subscription too. Summer, though late to arrive in Colorado, had already put me in a lazy mood and I wondered why. Analysis of my right brain/left brain activity led me to understand that too much interaction with others (always fun and stimulating) had kept me from my alone time which I absolutely need to get the creative juices flowing. Enlightening! Thanks for forcing me to make this personal inquiry.

My husband calls me a social painter and I find I need to learn the art of painting alone. I find being in a class with other artists energizes me. I love seeing others work and getting ideas from them, but not copying them. Painting and seeing others colors and vision is exciting. It helps that the class that I attend is one that allows for a variety of styles and approaches put to a simple challenge.

Deafness separates you from people, no matter what. There is no way to not be lonely, either if you're alone or with one or many people.

I deal with the loneliness by making sure I am out and about in the morning, before I start my painting. My usual activity is working out at Jazzercise where I have a lot of people to interact with since I man the desk a few days a week. There are plenty of friends and fun acquaintances to give me my fill of conversation and I can then look forward to having quiet time for my thoughts and my art all afternoon into early evening when my husband comes home.
If I get too busy with other things, I start craving my quiet alone time and the painting it produces, so the balance has to be a good one.

Recently I've discovered appropriate companionship to counter loneliness of working in solitude.
After a brisk doggie walk along a logged out area in Powell River, BC I pull out my painting stuff and sit down with my doggie walking companion Lenora Sattmann for a quick oil sketch of the fireweed blazing in the morning light. By the time I get back to the studio to make the finishing marks on 'Fireweed', it's only 9am. The day has just begun, I'm all fired up and ready for solitude till the next morning doggie walk.

Each artist is as different as the snowflakes that fall in winter. To recharge it can be as simple as going to the bookstore, grabbing a cup of coffee and a book or magazine.
I know that I have what seems to be hundreds of books and magazines yet sitting in the cafe with the hum of activity all around me can sometimes be just the pickup that is needed. Also just going out to have a meal with a good friend helps to brighten the mood. Painting plein air it depends - sometimes it just feels better to be with a group because there is that feeling of safety in numbers. On the other hand I used to go to Vermont in the fall and drive all over absorbing and observing and only one time out of 9 trips did I have a very slight twinge of homesickness. There are those particular places that I can go to and feel fine with only the sounds of the birds and the leaves for company. In the studio I prefer solitude. I hate to be an absolutist but regarding traditional studio painting it is best perhaps not to turn it into a social activity. As I have written before the hardest part of painting is getting to the easel. Once there the work begins and if things are really rolling along connections start to occur. One of the frustrations and joys of painting is seeing what I bring to the table - past experiences, art that I have seen, the remembrance of the daily view. I love it when working on a painting solutions start to appear. For myself music is an important part of the painting process. Classical music especially helps my mind to think and make connections. There are one or two people that I will ask to critique my work. So while studio painting is for myself a solitary process I am never lonely. Audrey Flack in her book Art & Soul, Notes on Creating has this quote from a talk with Philip Guston:

Studio Ghosts
When you're in the studio painting, there are a lot of people in there with you. Your teachers, friends, painters from history, critics............and one by one if you're really painting, they walk out. And if you're really painting YOU walk out.

I do not remember if in a past response I referred to this quote but I felt that it was pertinent to the discussion on being alone.

Being alone and being an artist seem to go hand in hand for me, and it's been that way most of my life. When other kids were hanging out together on the playground, I was slogging in a nearby creek, checking out the minnows and other wildlife there so I could draw them later. Of course, I got in trouble for doing this but the habits stuck and at 45 I'm still out in nature alone frequently to research my illustration projects and to take photographs for reference. Being alone is when I do my best thinking and creating.

Some may think this introverted behavior to be odd, but it's not, not to me. I am compelled to draw and paint with a passion that far outweighs worrying about what others think of me. It is no big deal for me to work from dawn to dusk on projects in my office and not bother going out among people. I'm not anti-social, I just have so much to do and get distracted by the ideas and thoughts in my head in regards to my art projects. When I want to socialize, I do, at the coffee house downstairs or in a nearby restaurant then it's back to work for me. I'm not lonely usually, just inspired, motivated and happy.

Being committed to my career for my entire life, I've chosen to forego marriage and children in pursuit of my artistic passion. Marriage was a negative distraction, I did try it but it was too confining to a free spirit and independent thinker such as myself. I got a divorce with no regrets and never looked back, knowing that my true love was my artwork. This dedication has paid off career-wise for me, and payback also comes from seeing the happiness in my customers' faces and their kind letters of praise.

We all have our callings in life and mine was established from an incredibly young age. I have no regrets and follow my heart for a fulfilling and rewarding existence, mostly on my own in my studio. My father is an artist too, and he is of the same personality type. My mother is social and doesn't understand our introversion. It's just who we are. Dad understands how I think, as he too, holes up in his office, classical music in the background, working on his projects. what may seem isolating to others is gratifying to us. It gives our sensitive souls time away from distraction, stress and other issues to follow our dreams.

I am a single "well-seasoned senior" painter, who makes her living with her art and teaching.
When I paint, I am not lonely! as Rachel Carson said: I watch my garden grow, I feed many birds, cuddle my cat! I live in the country, surrounded by large trees and only country sounds.
I can look up into the maple trees, watch all the movement and colours, and feel a part of it all!
Yes, I can get to longing for loving companionship, and that is the time I take to my easel!!
the act of painting has helped me through many lonesome and sad times!
My students who demand my attention, who make me listen and give out, they keep me from feeling lonely!
Walking into the village, seeing familiar faces, hearing the cheerful "Hi, Barbara!", that reminds me that I am not alone!
But - most of all it is the ACT of concentrating on my work, getting into the scene, the colours, the memories of the moment that particular object or scenery stirred me to want to paint it, that keeps me from being lonely! I cannot be lonely when I paint! My studio is my refuge, the freshly laid out palette my companion.
Yes - human fellowship, be it family, friends, students, fellow painters, they are all part of my life at times. I can seek them out when I need to.

I do appreciate what you have to say, I enjoy receiving and reading your letters. I just seem too busy to write these days. I am always preparing for a show. I do not have time to feel lonely because I have so many projects on the go. Even if I am alone I do always find something to excite my curiosity. I have been the only employee of my own company for many, many years now and I love it. I love people but I do love creating in my own sanctuary where I can communicate with my muses. I have always enjoyed my own company even as a child. I find much stimulation in all that is around me. I love reading in several languages and my books are some of my best friends. I do
make sure I get my walk with my dog, she does keep me fit and keeps me company so I am never really alone. I have also good friends I see almost everyday for a walk with their own dogs. There is so much to learn and to observe in nature one as to be always open to the muses calling. For me it is easier to create in the silence of my studio. I do listen to classical music after the main composition is done. I need to dream in my own space and reach across the bridge of my mind where the ideas reside. Eventually I do communicate through my works with the world outside my space.

I believe this is one of the reasons we all signed up to the Robert Genn Twice-Weekly Letter, to have an online community of like-minded artists all working quietly on their own at their paintings. My neighbour who comes from Canada said with glee that I had at last found my artist’s community! The world is a busy place everyone rushing here and there, while the artist has time to reflect and to be quietly creative. The important thing is to be aware of all the great things about painting on your own, to be able to have the quiet to concentrate on your artwork and to look at the birds flying by, the clouds drifting along changing shape and the beauty of each season. It is not always easy to be on your own for hours and days on end but I find working to a timetable helps and in that I include time spent with friends. The Internet has given us the opportunity to join hobby forums and make new friends; in truth we are not as alone as our artistic ancestors would have been in their studios. Keep a pet they are wonderful company!

I live 16 miles outside of a small Texas town, on 400 acres. My husband and dog are my daily companions, grown children live several hours away. My house is small, so no studio. The kitchen table is where I paint, which works out fine for my watercolors.
Our town has a Fine Arts League, a group of about 35 people, most of whom live in town. We have one meeting a month, taking off for the summer. These meetings and the programs that go with them, help with inspiration and are the connection we need with others.
This summer, I am taking advantage of a local artist's art classes, four hours one day a week. It is a small class, with all levels of ability, and fun!
This also keeps the creative juices flowing.
Loneliness isn't a problem for me. Because we live in the country and have a large vegetable garden, there is always something to be done on the place. My husband often needs my help with work as well. My largest problem is being able to spend as much time on my art as I would like. Who said retirement is boring? There never seems to be enough hours in a day!

I’ve been receiving these letters for a year or two now and with every issue my mind stops with you for a moment and a good old fashioned “How in the world do you do it all?” pops up... Prolific writing, the obvious research that goes in to each issue, traveling, painting, teaching, expansive, knowledge of cyber technology....all done professionally and all done well. There are only 24 hours in a day! I may have missed the “letter” that answers all of these questions but this Robert Genn groupie would love to know more about you... what makes you tick....and how do you keep ticking at such an incredible rate? How did you begin this journey, how do you begin your day and, when do you write each one of these well-thought-out articles? What about family? When do you paint, research? Is there a huge staff that reads the ton of mail you receive and then puts this expansive newsletter together without missing a beat? Do you operate out of a huge complex or off of your dining room table? Of course finances come to mind since I receive this much anticipated gift free twice a week. Just wondering...so much!

I was filling the same way as Mary Katherine. I was having difficult time with a Portrait and called an Artist friend for HELP. She has a gallery and teaches. And met some other Artists there and found out they were Painting with her.
So with a small fee I could paint with them. It is not a class but we all help each other if we have a problem. Being around other artist friends my paintings and my mind is more creative and I'm not lonely. So my suggestion is to get with other Artists that share your PASSION of Art .I am so glad to have found these people to be with.

As a micro-business owner who I work out of my home for the last 10 years. I started out talking to the Microsoft paper clip animation on my desk top and realized an alternative was necessary. I have a 3 gallon fish tank with guppies, snails and shrimp. The don’t talk much, but give me an opportunity to change my focus, rest my mind and regroup.

My avocation as an artist (and hopefully my future, when I grow up career) relies on my being surrounded by nature. An environmentalist and avid believer in biomimicry, I enjoy living in my Disney movie…our beautiful five acres frequently visited by deer, rabbits, multitudes of birds, woodchucks and a few unseen glowing eyes in the dark.

I also control my calendar to ensure that I have working time on Mondays and Fridays and client and friend gatherings during the week. This creates balance and I almost feel like I have 4 day weekends.

I have often wondered if all artists get this way. I thought most of my loneliness was because we had such a drastic move 5 years ago plus my daughter died 1 1/2 years ago. But I have sorted out the grief from the aloneness of being a artist. This is a feeling that has followed me around since I was a child, before I was a artist, or was I a artist at birth? I do something creative, paint, knit, dance, walk, write when it feels too much and certainly talk to my Higher Power.

I too suffer from working in solitude. What I do know now, through the Myers-Briggs personality testing, is that my personality in one of introvertedness which loves to live in the head which feeds and is energized from ideas, words, and images. Great for creativity. But what I also possess is a high need to make personal contacts to share my Feelings. My Myers-Briggs is INFJ. If I had a T instead of an F (which stands for Thinking), I wouldn't have the strong need to make contact with people to share my feelings. I tried teaching but it drained my creative energy so I dropped that after a couple of years. What I learned from my reading was introverted people are drained from having to live outside their head interacting with people, whereas, extroverted people are energized by being out among people. Today I have engineered my day so I have some talk time early in the morning, then go to my studio, and then late in the afternoon stop for some more conversation with a significant person. If this sounds familiar, it could be just a "personality fault" that we were born with.

Coming from a family of 18 kids, I don,t think I will ever know lonely, I enjoy my quite time when I can get it, I don,t carry my Cell phone, because I don,t be reached,
have three grown children two out side Edmonton, and one in Nfld, plus three grandchildren, and 5 step grandchildren, so my quite time mean a lot to me, take care and please don,t be lonely

You are right that introverted people have an easier time being alone. I spent close to 10 years away from family and with fairly infrequent contact with friends and found I liked to be alone. Even as a child I would wander to the local fields and woods to 'get away'. Without a chance to just be with my own thoughts I find myself less able to create and therefore much less happy. It is, for me, an essential requirement and, now married, I sometimes worry what will happen when my darling hubbie retires. I work best when he's at work and we are going to have to make some adjustments in a few years.
I do belong to several art clubs and sometimes feel I should be less involved. I have two painting buddies and we do shows together at times but seldom paint together. We also critic each others work if asked to.
They are the connections I really value and while we don't see each other on a regular basis we are comfortable with each other and can say what we feel about each others art and our own without letting ego's get in the way.
I've actually had to learn to reach out to other people because I moved a lot while growing up. My Dad was in the Canadian Air Force and we lived across Canada and for four years in Germany. It wasn't easy and as a child I didn't like it much but you do learn to depend on your own resources. Joining groups was a good way to get to know people in a new community. Lessons learned in the past often come in handy later in life.
I still try to 'get away' to some less populated place on holiday and for me the holiday of my nightmares would be on a cruise ship with several thousand other people and no where to escape to!
I have always had the good fortune to live near some sort of 'wild' space where I can wander and reconnect with nature, even in the city. It saves my sanity and my creativity.

I too enjoy the choices and solitude of working solo. But there are times when I really feel the need for feedback and encouragement. Sometimes I invite friends over to review and comment on the stages of a particularly difficult project. Because my work involves many steps in the process, there is always the chance that I can go astray. I use the eyes and input of my other art friends to help me see what I might not be able to percieve on my own. Often times this leads me to new ideas and fresh approaches to my work.

Robert, you hit the nail on the head. Loneliness is something that, eventually, one comes to terms with. Eventually, you have to do your own thing, and that means putting in the time in the studio with only perhaps some music to serve as background. Surely, interaction with other artists and other like minded “creatives” can be helpful but that too, can be riddled with competiveness, pettiness and sometimes stereotypical weirdness. The internet can be a bit of a salve and one can easily connect enough here, but it will never replace real face to face interaction needed to combat loneliness. The best bet is to look carefully at how you spend your “people” time and with whom. Quality relationships that are the real deal, though difficult to find, are worth their weight in gold.

There is a big difference between being lonely and being by oneself. Or alone with yourself. I am "by myself" and certainly alone with myself when I create. I think there is a need to be alone with oneself when one is creating. But I am not lonely. Lonely is a very pegorative word. If you like yourself, you can be happy by yourself the same way as you can be happy with people around you.

Your letter gave me pause for thought this morning, contemplating it whilst slowly come back to consciousness over a cup of caffeine.

You made me wonder, "Am I lonely?..No... If I were more awake, would I feel lonely?"

Nature surrounds me in the beautiful area where I am fortunate to live. As Rachel Carson expressed, one is never alone in nature. Yet, as my neighbour's horses come to greet me on this new day, my aloneness is jarred, and I reflect on times when communication with these magnificent creatures plays with my heart strings. Meaningful communication with others also inspires, and grounds me on earth when the aloneness takes one to another planet. Sometimes interruptions from others are valuable, but a quiet sanctuary is a precious commodity for this artist's voice.

Being alone all the time does not mean you need to be lonely. I disagree with Miller's quote - being alone and loneliness are not the same thing. I know plenty of lonely people who are always with other people...

I balance my "alone-ness" by getting out of the studio to socialize with people, and I insist on hanging out with intimates. No cold hearts or egos...I don't have time for them. There are plenty of them around, so my friends are few, but it's quality versus quantity.

Also, it amazes me how so many great ideas come to me, about my art, when I am doing something else with others and not even thinking about the problem...

Mmmmmmm, alone time can be sweet, and is certainly sweeter for the time we have with inspiring creative friends. Also a meditation practice can build the understanding of what being alone can connect one with. There is a richness in silence, a vast depth in the universe within and around. When this relationship is strengthened by time meditating, being in nature or whatever and where ever one can experience themselves alone, then one can find great joy and company alone in the studio. I agree we are basically alone, but that also points to the fact that even when we seem to be alone we are not. Cosmic connection stirs wildly in the presence of one who is aware and awakening to consciousness. There is an exciting and tantalizing experience of creative collaboration available to those who seek to be more awake. This is always available and can be dynamic or subtle. Being alone can be being connected and supported creatively. Even the taste of inspiring human connection can support creative time alone. Discipline in this is key to success in it.

I was a bit worried your email was spam but after I got over that, I realised you were speaking right to me AGAIN. You sum up artist solace so well. Don't under estimate the power of your letters which go a long way to breaking the "loneliness" in themselves. One other remedy not mentioned in your letter was the faithful canine curled at my feet and the gently purring feline hanging off the top of the computer. Oh and the bird bath just outside the window with the flashes of brilliant lorikeet calling in regularly. Glad I've chosen wildlife to paint!

I use to have the same problem until, while working with other artists, I came to realize that I truly do like working alone and enjoy those moments. One way to deal with loneliness is if there is a place where you can meet other artists. Sharing thoughts and ideas is a great way to feel connected even while working on your own.

Angel Snakes -- an Antidote for Artists' Loneliness

Angel Snakes are working muses. They sit quietly on the easel or in a corner, listening and encouraging. They offer suggestions only when asked and cheer the artist on with compliments. Generally they will not introduce very much drama into the human artist's life. They do have their own dramas, but there is no need to become involved, altogether a very practical sort of arrangement. Sometimes they do paintings of their own, using the hair on their tails as paint brushes. One should always be careful about open tubes lying about. They don't eat much and do not take up much space. Most Angel Snakes are serious about their work and expect human artists to be the same.

A word of warning from my own experience: As long as only one or two of them were around, all was well. Madilla and Nuncio kept me company, gave me ideas for projects, and told me stories. It was when I let them bring friends and acquaintances into the house that trouble began. As a group, they began to clamor for attention, fight with one another, and want things--coffee mugs, beach umbrellas, and so on. Finally, they ganged up on me about a road trip, hinting that they might find work (a few did), but mostly we found more stray Angel Snakes that needed a place to hang out between jobs particularly in L.A. The Angel Snake Rally in Arkansas didn't help either. Five weeks and five thousand miles later, we are back. Their number has dramatically increased.

Now I am working hard to find them work. Word has spread through the Angel Snake grapevine, that Gay and Ron are affable hosts so even more arrive daily. Like many beings on our planet, some are so desperate for work that they ask only for room and board and will even pay their own moving expenses. Such a deal!

You may read about their adventures on the blog that I let Madilla and Nuncio host -- http://angelsnakes.com.

If you are lonely and would like to try working with an Angel Snake muse, let me know through the Angel Snake blog so that I can make their travel arrangements. While they can fly, long trips are best handled through the US Postal Service.

I read your response to the lady artist seeks answers to working alone as artists do.

My view is that your response had the seed of the most important idea buried and minimized. We are one in many senses as you suggest--and I believe more so than we are capable of realizing today (but that is a rather lengthy debate). I would suggest for this person to read Wayne Dyer's The Power of Intention to help her "togetherness" light go on and to better appreciate the fine company when she is alone.

I have enjoyed your thoughtful insights over the past few years but I was particularly moved to respond to the writings on the above theme as it was quite timely as I was feeling a bit cut off myself.

I think that we as artists have a peculiar struggle. Whether we have chosen to tread the Road Less Travelled or whether it is part of the artistic hard-wiring, this path can often mean even greater loneliness not only because of the solitary nature of the arts but also because of an unconventional take on life in general.

This may mean uncommon or complex relationships resulting in the lack of the 'normalising' aspects of more mundane social interactions or the grounding influence of conventional family ties. The artist who lives and works alone may be particularly haunted and yet it is the same haunting which often drives the creative beast within, which makes it hard to surrender.

The line between solitude and loneliness can be a fine one and not always easy to navigate, especially for the finely-tuned sensitivities of the creative spirit. After all, artists need love, too, but they can also be notoriously prickly characters !

I, for one, would love to share more with likeminded souls. Please feel free to send an email, folks! I'm getting a bit sick of talking to my dog.

To work alone without any interference is definitely more productive. Women artists usually feel household and family duties interfere with their work when working at home (I am considering to rent a studio somewhere else).

Yet, occasionally we want company and be able to share ideas. I joined a bridge group (brain exercise and gourmet food once a week) and the Venezuelan Watercolor Association where I cooperate planning group activities such as painting outside, watercolor demonstrations and exhibitions. I also participate in the Caracas Drawing Circle, a group meeting once a week at the Fines Arts Museum to draw human figure, mostly nudes and sometimes poets, writers, musicians and other interesting people. It is stimulating and fun as long as you manage to keep enough time for yourself to work alone.

Lonely, this is a feeling I do not feel too often. When I do feel it, it is usually when I have been working for several days and I have come to an end of a painting session. Then I am looking to have some social time, to be with people. Now my wife, a high school teacher would be tired and not wanting to do much on Friday evening or on any other evening she would be marking. So I find myself spinning my wheels and not wanting to sit in front of the TV. Because most of our friends are also teachers and in the same boat, there is not much chance that they are going to be any better that my wife. At least that is what I am thinking. So there I am spinning my wheels. I often go for a walk or do something different like work with my tropical fish and I manage to get past it and usually over a weekend we do run into some social time. I think it is to change the environment that takes the edge off those moments that seem lonely.

This one speaks to me. It is a balancing act....for a single person. Loving the camaraderie of sketching with a small group, especially when what you are producing has merit. But at 70 something, irritated by the "drive" and volume of words ABOUT art that seem to dominate the scene. Your letters seem to work for me, perhaps because I can read it all in silence!

One thing I do to combat the loneliness is to teach some painting classes. This gets me out and about, and of course we always learn more from teaching than we expect.

You could have saved me time if you had written this letter a couple months ago. I started wondering if I was getting strange because I spend so much time by myself. My husband is great but he works really hard and many times he comes home and eats and falls asleep in his chair. After considering this issue for a while I prayed. He took care of my loneliness by sending friends from far and wide to visit at the studio. It was wonderful the first day but by the fourth day, I am going OK Lord I get the point, I have to be alone. I solved the problem by teaching a class one day a week for 8 weeks. It was great fun to be teaching again and it took care of the need companionship.

Nice subject ! It is lonely at times, but very good to get away from the busyness of the world, and there are times when it is imperative to create.
Then, there are times when a good friend who also paints, and I get together to paint. It's nice when a group hires a model and practices the figure. Belonging to an art association, seems to lift up your spirits and gives you new ideas. (unless you get bogged down in responsibilities).
Thanks for your willingness to reach out to creative people.

i am glad to hear that i am not alone in my loneliness. i was always painfully aware of being different, that is, before i was aware that i am an artist. i knew that i functioned in 'private time' , in 'private style'. but could not understand why this was so. i wanted to be like everyone else; i so longed to belong.

many years later, i know this will never happen. true artists walks alone and on a different plain. we have the gift of meta- look . with maturity comes a sense of kinship together with a celebration of 'otherness'.

I sometimes work alone but I am so concentrated in my work that I don't feel lonely. I think that we should balance our life between work and being with our family and friends. Being with people not involved in art may even generate ideas for subject matter for our art. I find little children fascinating how their faces light up to see people they love or sad when they are disappointed. The changing expressions in their faces are so honest and not contrived. So if we find that we are getting lonely let us take a break.
Maybe do something else in between.Thanks for the letters, I enjoy them very much and give some insight into my own work.

I like painting both ways. I enjoy the company of fellow artists. Our groups gets together now and then, usually 4 artists. While we are painting we are in silence but we put nice music in the background and take breaks. Sometimes I can finish a painting when painting in groups, maybe its the motivation. We also help and critique each other. Sometimes we select a topic. When I paint alone in my studio I sometimes call on my husband to come and give me his opinion...but for some reason, when I paint alone, it takes me longer to finish a work. I guess I interrupt for things like lunch, phone, tv, yard work..always a little bit of here and there. When I am alone, I am challenged to try new things, because no one is watching.

I really enjoy your communications. I am a "never lonely" artist. I teach classes in my studio at least once a week. Also, the class I started about ten years ago on Thurs evening is still going after all this time. Most of the people who started with me, are probably better than I, and about four years ago, I told them we would no longer have a class, but a painting orgy on Thurs evenings. So everyone now comes, and we have a little libation, and paint together. Everyone critiques whatever is perplexing to one of us, and we love it, (in fact, they come whether I am there on not.). It has been one of the best helps to all of us, and has increased everyone's sales, showings, etc.

Agree with you completely on the question of loneliness when producing something like art, any work, really, requiring a high level of concentration, and really only one pair of hands at a time. I feel lonely but working alone, freer than working with others, although I participate in paint outs and often paint with other artists -- close friends--and enjoy the experience. What there is, when working on a piece over time, over the space of days, an intimacy with the developing work that can be disturbed by the presence of others, and feels like a loss. Some days, some mornings, after I’ve painted one dog after another, I could use somebody to talk me through the turmoil that can set in at those times. Mary Catherine Jorgensen writes of ‘occasional loneliness’, but like you say, companionship takes other forms, and I find the alone time enriches my discourse with the people in my life.