We live in an incredible time. What Maslow believed and taught becomes more prevalent every day in the public domain... not just the artistic ones. More and more people search to reach their highest potentials in their inner self, as well as their relationships with the outer self. In so doing they become the Michelangelo of their lives... they are the work.

We may plant a garden or build a house or create a meal or nurse a newborn that it might create some more stuff for our enjoyment or displeasure, or we might be disposed to creatively rape the earth for its valuable ore and create out of the product weapons designed to stop the creativity of others or make machines to transport us to our centers of creativity. We are replete with options on how to exercise the power that comes from this invisible source we are invested with that governs our actions. It is Infinite but it is all there for us to utilize for better or worse. We are married to the creative SOURCE! Till death do we part. Let's all try to CREATE a beautiful world.

I spent 10 years in two different doctoral psychology programs and know quite a bit about Maslow. I would like to introduce you and your readers to another set of ideas altogether different from Maslow. This comprehensive approach completely eschews concepts like needs, drives, cognition, emotion, stimuli and responses. During my 10 years in graduate school, I was confronted by/reviewed all the major approaches to theories of psychological functioning: psychoanalytic (Freud, Jung, Horney , Sullivan, Adler, etc), behaviorism ( Skinner , Verplanck , Maslow), Psychosocial ( Rotter , Erickson) and many others. I concluded that Personal Construct Theory encompasses all psychological phenomena and can be explained by a single fundamental postulate and eleven corollaries.

(RG note) Thanks, Joe. Joe's letter proceeded through seventeen pages of scholarly Personal Construct Theory as applied in Buddhist thinking. His letter wins the prize by being the longest response we have ever received. I put my brush down and read the whole thing. It was a new perspective (for me) and is worth thinking about for a possible future Twice-Weekly letter. I'm sure Joe will forward you a copy of what he sent me if you ask.

"Cogito, ergo sum," or "I think, therefore I am," said Descartes. Streambank Willow, Morning Light
oil on canvas
20 x 20 inches I recently made a sign for the side of my pickup truck that reads, "I paint, therefore I am." For me, as an artist (or, as Maslow puts it, a self-actualizing person), the act of creating is as much at the core of my being as the act of thinking. In the Judeo-Christian view of human existence, we are made in the image of God, though imperfectly. That "image of God" concept has nothing to do with physical appearance, and everything to do with the ability to think, to love, and to create. As I considered this as a philosophical creed, I realized that it had just as much meaning to me, perhaps on a slightly more everyday plane, if the order of the statement were reversed. So, on the other side of my truck, the sign reads, "I am, therefore I paint." What else would I do?

WOW, a new understanding of "an artist must paint"! This statement has Evening at Rock Creek
oil on canvas
12 x 12 inches haunted me for years. It has at times made me almost accept that I must not be a "real painter" since periods of times would pass when I did not paint and occasionally periods of time would pass when I did not want to paint. During these times a voice in my head would say, "See, you're not a real artist because if you were you would paint even though you are exhausted from a full time job and parenting two children (one of whom has a significant disability). Or you would paint even though your heart is broken and you can hardly get out of bed. Or you would paint, even though the money is very tight and art materials are not budgeted. Or you would paint, even though you have to clean it all up and put it away in an hour so the room can turn back into the dining room." I neglected to consider the whole statement," If you are to be ultimately at peace with yourself..." This is the meat of it. This is the criteria that brings me to MUST paint. I am transformed in the most positive ways when I am able to paint. When I have, as I have lately, those peak experiences, "All is right with the world!" When I am on a painting trip and phone home, my loved ones remark how my voice reflects my contentment. Yes, I too MUST paint. I just could not ignore the lower rungs of the ladder and paint.

I am bipolar. I can measure my depressed states by how I perform in my Tommy
original portrait studio. When I reach the stage where I can no longer draw or sculpt, I know I am near the bottom. It is useless to even go into my studio, no matter how strong the desire is to work. People in my condition just have to continue to go into their studios at intervals and try, and within ten minutes one knows if one is ready or not. This process can take days or weeks or at times, unfortunately, years. Luckily it is usually not an excessive amount of time, but at one time it was five years and I despaired of ever working again. I want to encourage anyone in my position. Do not give up. Try every so often and one day it comes back. When it comes back, all your techniques come back quickly. We all have to live with what we are. The important thing is to play the cards you were dealt. Use them to your advantage. When I see something that I think would be good later on, I take a photo or maybe ten of it to use in the future when I can work again. I keep them in a reference file.

Maslow's hierarchy of needs and self-actualization concepts have been favorites of mine for years. However, the hierarchy of needs probably applies only to some people - not to all. Maslow once wrote that an example of a self-actualizing person was a husband whose wife comes home and excitedly says, "I ran into my ex-fiancé, Jim, who is in town for a week and wants to take me to dinner and dancing tonight." Her self-actualizing husband says, "That is great. You will have to tell me all about it when you get home." Happy for her that she was going to do something she would enjoy. Maslow then wrote that in all his years he had only known five people who were self-actualizing.

(RG note) Thanks, Murray. Commendable as this generosity of spirit may be, it's not my understanding of what Maslow had in mind. As I read him, self-actualization includes the learned ability to be pro-active and creatively clear without antisocial or anti-personal consequences, and is the accomplishment, in degree at least, of many thousands.

Anyone who has taken psychology 101 has heard of Maslow's hierarchy of
A Portion of Kindness
by Rosally Saltsman needs, also referred to as Maslow's pyramid because it is usually depicted as such. Dr. Maslow identified the universal needs of every human being and classified them going from most basic to highest. His claim was that a person would not be able to realize his true potential and attend to his higher needs unless his lower needs were met. For example, someone who is on the brink of starvation will not worry about getting his doctorate (unless trying to get his doctorate is the cause of his starvation). Dr. Maslow's model is easy to disprove. Much of the world's art and literature has come from people starving in garrets and living hand to mouth under leaky roofs. Need proof? Just go have a look at a Van Gogh or listen to Mozart. We wouldn't have much of our art and music if it weren't for starving writers and musicians living in angst and poverty.

It's never too late for expressing those peak moments in life. I work Field of Dreams
acrylic on canvas
16 x 20 inches in watercolor and acrylics and came to art late in life... searching for that top of ladder experience in a time of my life when the basic needs have been met. I think that is why so many people find creative art in retirement. The basic needs have been met. We have raised our children, exhausted ourselves trying to make those things like security become less a part of the world. Suddenly a huge opening appears. Time to write the poetry, become gourmet cooks, grow perfect roses, or, in my case, paint my heart out. I applaud career creativity... those who have fought their way to the top of the ladder while still having to meet all those every day needs! But now I applaud too those who in retirement have allowed ourselves to "fall in love with our personal must." Those of us who add our personal life experiences to the joy of creativity have in many ways a different kind of gift. We have hung on to the ladder a long time and now we have found it is never too late to keep climbing.

For me, it's not a matter of "getting to must." I believe it's a matter Shadow Play
oil on canvas
20 x 16 inches of getting to "be." We either must - or not. One who must IS that, and simply must - no "getting" to it, it just is. I believe there are those of us who either make or die - whether the dying is a real physical death or a gradual withering within. I know if I don't paint or carve or write or make some kind of creative movement within a short amount of time, I start to go a little nutso - and (as you know) there are scores of others like that, as well. Fortunately I have good friends who recognize when I have stayed away from the making for too long a time and gently escort me to my studio, open the door and bid me good day. When the "must" of our beings is crushed by "shoulds," "you can'ts," and "you better nots," sometimes the strength to buck the opposition just isn't there. But I think that those who do have the internal fortitude to meet fear with determination, to make bold, outrageous demands of their creativity, and who have enormous, unshakable faith in self and the magic of the universe, seem to grow an extra capacity for the courage to create and the subsequent continuance of same. They are truly the ones who must. And do.

I agree that the central question for an artist is how to get to "must." Start of a Long Night
oil on canvas
30 x 40 inches In my case it amounted to being willing to make some sacrifices, mainly financial, and to rid myself of the guilt surrounding a way of life seen by many to be simply selfish. Having got to "must," everything else falls into place. Decisions about priorities become so much easier when placed against a "must" background. If an activity is going to take 6 hours, what proportion of a painting could I have completed in that time? This is the real cost of the activity. And this thinking now encourages me to do the "other" stuff outside my working (or playing) hours. I have a set time to start in the morning and if the jobs aren't done by then, they can wait for another day, or until I have finished for the day. And so with expenditure. How does it further the action? If it doesn't, then it is no longer essential. All of a sudden the old pressures seem to fall away and the benefits of them pale into insignificance alongside the delights of dancing with the creative muse. And as Dr Phil says, "You teach people how to treat you." I spent many years in a depressed non-functional fug, trying to cater to what I saw as other people's expectations (and my own too). With some help I came to see that I was just as entitled to a creative and rewarding life as anyone else. Now I can't wait to get out of bed in the morning and get going. Staying in touch with this "must" centre creates self-motivation, enthusiasm, courage, delight and a feeling of indestructible self-worth. For an artist, as a drug of choice, it is a must.

You, indeed, are being utilized by the Universal energy so perfectly! So many of your letters arrive in my mailbox EXACTLY WHEN I AM IN THE GREATEST NEED TO HEAR YOUR WORDS as confirmation and inspiration to me! (and I am sure to others as well). It is just always so intriguing to see how we all fit into the universal life 'puzzle' providing missing pieces to even those who we do not know personally, and yet are able to be the instrument through which we convey a most important message. Just never know how we, our lives, feelings, words, deeds, will affect others.