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“The queen of colours”

February 7, 2014

Dear Artist,

Renoir declared, "I've been forty years discovering that the queen of all colours is black!" What he meant was that blackAuguste Renoir  (1841-1919)   
Do you know the colours on his palette?
  Flake white
 Naples yellow
 Viridian
 Natural earth 
 Yellow Ochre
 Superfine Carmine
 Venetian Red (possibly Red Iron Oxide)
 Cobalt blue
 Red lake
 Ivory black
Auguste Renoir
(1841-1919)

Do you know the colours on his palette?

Flake white
Naples yellow
Viridian
Natural earth
Yellow Ochre
Superfine Carmine
Venetian Red (possibly Red Iron Oxide)
Cobalt blue
Red lake
Ivory black
works as a darkener because its near chromal neutrality does not sully the colour it grays. While scorned on a few snooty palettes, black is the loyal friend that helps make other colours look more brilliant than they are. Wise artists do not say derogatory things about black.

The essential blacks are lamp black, ivory black and Mars black. Lamp black is a pure carbon pigment made by burning oils and collecting the soot from flues. It's one of the oldest manufactured pigments. Ivory black, originally made from burning real ivory, is now a bone byproduct of the slaughterhouse. Mars black, one of a pantheon of Mars colours, is an iron-oxide product that in many ways is more stable than the other blacks. It does not effloresce, maintains total integrity in oil and water-based media, and, to my knowledge, is the only paint that's magnetic.

Black inks, Indian, Chinese, etc., are carbon derived and go back to the dawn of writing and drawing. Cuttlefish ink, used by the early Romans, is an impermanent anomaly. Japanese "Sumi" ink has a tradition of nuance and refinement. Ralph Mayer says, "The connoisseurship of sumi amounts to a cult."

Give black a chance. A challenge is to work with only black and white for a day. After a week one begins to feel the brilliance of black. As seasoned artists have found out, if it works in black and white, it works.

Try the method of grisaille--a monochrome painting executed in shades of gray. Used as an under-painting, grisaille was first popularized by the Northern Renaissance artists. These days, using bright white grounds and a range of grays, full value can be had by glazing with acrylics or other media. In painting, black is mother of learning.

Best regards,

Robert

PS: "Black and white are absolute. They express the most delicate vibration, the most profound tranquility, and unlimited profundity." (Shiko Munakata)

Esoterica: Payne's gray, a composite pigment, endures, well-loved on many palettes. Depending on the brand, it's made from varying combinations of blue, black, red and white permanent pigments. Payne's gray is the black of preference for the timid soul.

This letter was originally published as "Black beauty" on June 20, 2003.







Barry Coombs Workshops The next workshop is held in  Toronto, ON, Canada.  <a href='http://clicks.robertgenn.com/workshops/workshop.php'>The Workshop Calendar</a> provides up-to-date selected workshops and seminars arranged in chronological order. Please take a look <a href='http://clicks.robertgenn.com/workshops/workshop.php'>here</a>.
Barry Coombs Workshops
The next workshop is held in Toronto, ON, Canada.

The Workshop Calendar provides up-to-date selected workshops and seminars arranged in chronological order. Please take a look here.



World of Art Featured artist Christian Schloe, Salzburg, Austria



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Last modified: Aug, 30, 2014